Корневые морфемы в Евгении Онегине А.С. Пушкина

The dictionary of radical morphemes in A.S. Puškin's "Evgenij Onegin" is configured as a possible tool for the analysis of a literary text. The radical morpheme is observed not only from the semantic viewpoint (families of lexemes derived from a single radical morpheme), but also in formal terms. The identification of full and partial anagrams and of palindromes produced and derived from a minimum formal element (the radical morpheme and its allomorph variations) allows a search to be made for new, though minimum, "iterable" units (the base category of any literary text). The material collected offers a range of applications: a) the shifting of repetitivity analysis from a lexical to a morphemic level; b) new forms of observing frequency and how it is manifested; c) identification of the role played by a formal linguistic element in the production of a text and thus in the production of meaning; d) observation of various word families and the role that a single conceptual nucleus (identifiable in the root) may have played in the creative process. Besides the introduction, the book contains an alphabetically ordered list of radical morphemes and allomorph mutations, their possible anagrammatic and palindromic transformations, their distribution in the Onegin lexicon and their actual presence in the text analysed (chapter/stanza/line). There is also a series of summaries in the form of appendices, including diagrams which illustrate the constant, ascending or descending presence of a given radical morpheme from two viewpoints. a) that of linear time in the writing of the work; b) that of reading time, that is to say the reader's possible reception of the literary text (how we know it today, starting from the first complete editions published in 1833 and 1837).