In Russian literature the reception of Hamlet as a literary character and of Shakespeare as a stage director depends on the special culturological status of intertextuality. The Russian writer needs a »foreign« model as a confirmation of »his own« world: in Hamlet’s words Dostoevsky discovers the falseness of life, based only on the image of reality expressed in words (»the tears for Hecuba«).

Dostoevskij e il teatro delle rappresentazioni

VERC, IVAN
2014-01-01

Abstract

In Russian literature the reception of Hamlet as a literary character and of Shakespeare as a stage director depends on the special culturological status of intertextuality. The Russian writer needs a »foreign« model as a confirmation of »his own« world: in Hamlet’s words Dostoevsky discovers the falseness of life, based only on the image of reality expressed in words (»the tears for Hecuba«).
2014
88-7868-017-6
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11368/2819326
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