This short "cultural column" explores Trieste as a cultural threshold between Italy, Central Europe, and the Balkans, tracing its role as a modernist “resonance chamber” from Joyce, Svevo, and Saba to Kafka, Musil, and Freud. Against this background, it situates Leonor Fini’s art within the city’s cosmopolitan, mystical, and gender-transgressive heritage. Fini’s work appears as a symbolic universe of masks, alchemy, and androgyny, where eroticism becomes a spiritual search for wholeness, beauty, and the hidden.
Leonor Finis Tergeste / Bonchino, Alberto. - STAMPA. - 1:(2026), pp. 12-12.
Leonor Finis Tergeste
Bonchino. Alberto
2026-01-01
Abstract
This short "cultural column" explores Trieste as a cultural threshold between Italy, Central Europe, and the Balkans, tracing its role as a modernist “resonance chamber” from Joyce, Svevo, and Saba to Kafka, Musil, and Freud. Against this background, it situates Leonor Fini’s art within the city’s cosmopolitan, mystical, and gender-transgressive heritage. Fini’s work appears as a symbolic universe of masks, alchemy, and androgyny, where eroticism becomes a spiritual search for wholeness, beauty, and the hidden.File in questo prodotto:
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