In Russian literature the reception of Hamlet as a literary character and of Shakespeare as a stage director depends on the special culturological status of intertextuality. The Russian writer needs a »foreign« model as a confirmation of »his own« world: in Hamlet’s words Dostoevsky discovers the falseness of life, based only on the image of reality expressed in words (»the tears for Hecuba«).
Dostoevskij e il teatro delle rappresentazioni
VERC, IVAN
2014-01-01
Abstract
In Russian literature the reception of Hamlet as a literary character and of Shakespeare as a stage director depends on the special culturological status of intertextuality. The Russian writer needs a »foreign« model as a confirmation of »his own« world: in Hamlet’s words Dostoevsky discovers the falseness of life, based only on the image of reality expressed in words (»the tears for Hecuba«).File in questo prodotto:
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