This essay examines the "Italian" section of Catharine Maria Sedgwick's 1841 travelogue "Letters from Abroad to Kindred at Home" and shows how Sedgwick used her impressions of Italian art as a way to comment on Italy's quest for independence and nationhood.
Past glories, present miseries: nationality, politics, and art in Catharine Maria Sedgwick’s Letters from Abroad to Kindred at Home
Leonardo Buonomo
2021-01-01
Abstract
This essay examines the "Italian" section of Catharine Maria Sedgwick's 1841 travelogue "Letters from Abroad to Kindred at Home" and shows how Sedgwick used her impressions of Italian art as a way to comment on Italy's quest for independence and nationhood.File in questo prodotto:
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Republics and empires - chapter 1.pdf
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