Fabio Finotti's article calls into question the well-rehearsed history of perspectival sets as self-consciuous derivations from classical texts, especially Vitruvius, by adducing the practices of painters as sources rather than records. Inverting the received story of perspectival drama as classicizing and stressing the role of extratextual practices, Finotti suggests that the primary innovations in Italian Renaissance drama may have come from visual arts.
Perspective and Stage Design, Fiction and Reality in the Italian Renaissance Theater of the Fifteenth Century
FINOTTI, FABIO
2010-01-01
Abstract
Fabio Finotti's article calls into question the well-rehearsed history of perspectival sets as self-consciuous derivations from classical texts, especially Vitruvius, by adducing the practices of painters as sources rather than records. Inverting the received story of perspectival drama as classicizing and stressing the role of extratextual practices, Finotti suggests that the primary innovations in Italian Renaissance drama may have come from visual arts.File in questo prodotto:
Non ci sono file associati a questo prodotto.
Pubblicazioni consigliate
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.