This article analyzes the experience of Stazione Rogers, a cultural and educational center created through the efforts of Luciano Semerani and Gigetta Tamaro and founded on interdisciplinary dialogue. The former gas station, designed by Ernesto Nathan Rogers, is not merely a building or an exhibition space, but rather a place situated at the intersection of architecture, the sciences, and the humanities. Building on the founding experiences of the Masieri Foundation’s Architecture Gallery and “Phalaris,” and through a review of nearly two decades of activity, the distinctive characteristics of this institution are identified in its ongoing effort to overcome disciplinary barriers and in its experimentation with unconventional models for disseminating knowledge.

Sperimentazioni al confine. Stazione Rogers, dialoghi tra le discipline / Bisiani, T.. - In: FESTIVAL DELL'ARCHITETTURA MAGAZINE. - ISSN 2039-0491. - ELETTRONICO. - 71-72(2026), pp. 61-69. [10.12838/fam/issn2039-0491/n72-2025/1131]

Sperimentazioni al confine. Stazione Rogers, dialoghi tra le discipline

Bisiani, Thomas
2026-01-01

Abstract

This article analyzes the experience of Stazione Rogers, a cultural and educational center created through the efforts of Luciano Semerani and Gigetta Tamaro and founded on interdisciplinary dialogue. The former gas station, designed by Ernesto Nathan Rogers, is not merely a building or an exhibition space, but rather a place situated at the intersection of architecture, the sciences, and the humanities. Building on the founding experiences of the Masieri Foundation’s Architecture Gallery and “Phalaris,” and through a review of nearly two decades of activity, the distinctive characteristics of this institution are identified in its ongoing effort to overcome disciplinary barriers and in its experimentation with unconventional models for disseminating knowledge.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11368/3139400
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